Gods From the Stars, Mayans

Mayan Incan UFO Extra-Terrestrial Alien Gods Star Beings

The Mayans believed their predecessors came from the Pleiades. The Mayan Indians of Central America knew the earth was round centuries before the Europeans made this discovery. The Popol Vuh states that several gods, including Hunahpu, Xbalanque, and the great god-king Quetzalcoatl, returned to the stars after their earth life ended.

2000 b.c. Peru's Inca civilization. Pre-Inca, like the Maya said the gods were from the star system "Pleiades" just as the Sumerians did. Inca ruins have been found at 13,000 feet, with one stone weighing 20,000 tons. Legend tells of spaceships that came from the stars. Inca ornaments of "platinium" were found. Text reveals the Inca’s knew the earth was round centuries before it was known to the Western world.

The ancient Maya had a complex pantheon of deities whom they worshipped and offered human sacrifices. Rulers were believed to be descendants of the Mayan gods and their blood was the ideal sacrifice, either through personal bloodletting or the sacrifice of captives of royal blood.

The Maya vision of the universe is divided into multiple levels, above and below earth, positioned within the four directions of north, south, east and west. After death, the soul was believed to go to the Underworld, Xibalba (shee bal bah), a place of fright where sinister gods tested and tricked their unfortunate visitors.
As with all Myths about Mayan Gods and Goddesses - Mayan Myths discuss connections with being from other realms who came to Earth to seed the planet.

Many people see the story of the Popol Vuh is the story of extraterrestrial Gods who came down and made man in his own image. When they first made man he was so perfect - living as long as they did - he could see far and wide - clairvoyant - and was as perceptive as they were.

They realized that they had made a competitor who was as wise as the Gods themselves. So they destroyed him and started over creating present day man. Modern man lives shorter lifetimes, is not as smart, and is here to act as a servant race to the Gods.

Within their culture they have legends of visiting Gods from outer space. In the last thousand years the being known as Quatzequatl the Great Feathered Serpent was a God who brought the teaching of peace to this part of the world and appeared as a white God with a beard. The drawings of him look almost identical to the drawings of the being known as Ea or Enki in the ancient Sumerian teachings.
In fact they looked like the images we see of Reptilians.
Quatzequatel: Winged God

Mayan god Thoth and Quetzacotal was the same person; Thoth was identified to Atlantis, Egypt, Sumer, and then later was identified to Meso America and Peru as Quetzacoatal.

Kukalcan a mayan god was said to visit the mayans by spaceship. The mayans built this temple for him and named it Kukalcan temple. Kukalcan was a mayan himself. He was a light skinned bearded man who came from the Plieades in his spaceship


Ishtar Female Pilot

The Anunnaki Goddess: Inanna - Ishtar, has been described... as roaming the heavens..... over many lands... that lie far apart……
feats only possible... by flying. (She also spoke of flying).

Ishtar was said to be a astronaut who would fly in a spacecraft,Notice her air flight goggles.

Z. Sitchin wrote about a similar statue discovered at Mari, in 1934:
"It was a life - size statue of a beautiful woman. Her unusual headdress was adorned with a pair of horns, indicating that she was a goddess. Standing around the 4000 - years - old statue, the archaeologists were thrilled by her lifelike appearance ( in a snapshot, one can hardly distinguish between the statue and the living man).

They named her The Goddess with a Vase because she was holding a cylindrical object. Unlike the flat carvings or basreliefs, this life - size, three dimensional representation of the goddess reveals interesting features about her attire.On her head she wears not a milliner's chapeau but a special helmet ; protruding from it on both sides and fitted over the ears are objects that remind one of a pilot's headphones … an unusual box of rectangular shape.

The box is held tight against the back of a goddess and is firmly attached to the helmet with a horizontal strap … a hose … two sets of straps … She is clothed in a PALA garment ( ruler's garment), and on her head she wears the SHU.GAR.RA helmet … All this suggests to us that the attire …was that of an aeronaut or an astronaut

Gate of the Sun

There is no recored history of Tiahuanaco. On the Gate of the Sun, above, carved out of a single 10 -ton block, is the representation of a flyng god flanked by forty-eight mysterious figures,. Lengend tells of a golden spaceship which came from the stars. That had 100's of gods aboard this ancient spaceship.

Did the Incas Build Aircrafts?

These golden sculptures are pre-Columbian. It is difficult to determine their exact age as gold is hard to date. However it is strongly believed that they date from around 500 - 800 CE. They have been found in central and also coastal regions of South America. When first found they were thought to be zoomorphic (representing animals). Well, looking at those images I can't come up with one animal looking like these artifacts below. Is it a bird, is it a plane...well it certainly looks like it from where I stand.

And why not? It is easy to dismiss these finds as the creation of complete morons who only serve their gods without knowing what they are actually doing. It has wings, it has a stabilising tail, it has some kind of landing gear, what else do you need? Lets face it even if this model of an aircraft came with a signed letter stating that these are flying machines, orthodox science would still doubt it. Well, some have said that the object in the top picture isn't very aerodynamic as there is a very large semi disk in the way where we would imagine the cockpit to be. True but then again some people have come up with another ingenious explanation.

See how the "nose" of this device is retractable? For landing you have it forward, for flying you put it underneath. I like this idea a lot. Also considering the ornaments on both wings, it was mentioned that in Amerindian culture spirals were representing "ascend" and "descent". Unless it was just a very naive but artistically gifted ancient Indian that thought to himself : "Hmm, those triangles on my stylised bird look a little boring...oh I know, I'll put some spirals on there just for fun." As I keep saying, "Give our ancestors some credit."

This surreal model of a bird has been dated to 200 BC and wad discovered in 1898 in a tomb at Saqqara, Eqypt. Not knowing much about aeroplanes in those days it was put away in a box in an Egyptian Museum and rediscovered by a Dr. Khalil Messiha. This model has undergone far more tests as the above as you can make several models like it without using the original. So what did these tests come up with? They revealed that it seems to have the proportions of a push glider which can take heavy loads at very low speed but there was a catch; it seemed the device was still in development as it was not quite perfect yet. However to even design a model to be near perfect takes a lot of aerodynamic knowledge. Something that was lacking quite profoundly at the beginning of our own aerodynamic history. To me the Egyptian model has far more finesse than even the Wright brothers whimsical first flying machine.

Yes of course those models could be birds or fish or flying rats. It seems that if it doesn't fit into our modern view of history it gets molded until it fits, hence the bird analogies.

Palenque Astronaut

Palenque is a place in Mexico, and there is a large stone in the temple and on the stone is a kind of being sitting like in a rocket." -- Erich Von Daniken

Pacal VOTAN was the Mayan prophet who lived in the seventh century of this so Christian era between the years 631 and 683. It took nine years after 683, when he disincarnated, to build the nine-leveled Temple of the Inscriptions at Palenque, and at the bottom of the temple in his tomb. His tomb was dedicated in the year 692. When the departure of the Maya took place in 830 A.D. at the end of the tenth baktun, no one knew about that tomb any longer.

One thousand years later, in the year 1692, letters were written between a couple of Benedictine or Franciscan monks living in Chiapas concerning a lost text called "The Trials of Pacal VOTAN." No one has ever found this text, but there's information in correspondence about it that tells us a little about Pacal VOTAN.

Pacal VOTAN, the letters said, was alive at the time of the building of the Tower of Babel, at the time of Noah, and was one of the prophets who followed Noah. It was Pacal VOTAN, they noted, who sailed from the old world to the new and founded the city of Palenque. It is also said that he traveled from a distant place called Valum Chivum, a star place, to this planet and built a tower. Beneath that tower was a rock, and Pacal VOTAN traveled through this rock by means of a serpent's ladder, and was said to have made four visits to this rock. This is what was told in the lost book of the tales of Pacal VOTAN.

In the same year, 1692, in the prophecies of the Chilam Balam, Juan Martinez, the shipwrecked sailor, tells the story of finding a golden house with four doors, nine levels and thirteen courtyards. If it were not for these two accounts about Pacal VOTAN, we would know very little of what we know today concerning time. In The Mayan Factor I refer to Pacal VOTAN as the head navigator of the Mayan technical expedition to planet Earth, which left behind keys and codes of time. Because of my description of him in The Mayan Factor, I was later rewarded for having understood this dimension of Pacal VOTAN.

Ark of the Covenant Electric?

The Ark of the Covenant

The Ark of the Covenant (in Hebrew: aron habrit) is described in the Hebrew Bible as a sacred container built at the command of Moses, wherein rested the stone tablets containing the Ten Commandments. The Ark and its sanctuary were "the beauty of Israel" (Lamentations 2:1).

During the journeys of the Israelites, the Ark was carried by the priests in advance of the host (Numbers 4:5, 6; 10:33-36; Psalms 68:1; 132:8). The Ark was borne by priests into the bed of the Jordan, which separated, opening a pathway for the whole of the host to pass over (Joshua 3:15, 16; 4:7, 10, 11, 17, 18). The Ark was moreover borne in the procession round Jericho (Josh. 6:4, 6, 8, 11, 12). When carried, the Ark was always wrapped in a veil, in badger skins, a blue cloth, and was carefully concealed, even from the eyes of the Levites who carried it.

The Hebrew word aron is used in the Bible to designate any type of ark, chest or coffer, for any purpose (Genesis 50:26; 2 Kings 12:9, 10). The Ark of the Covenant is distinguished from all others by such titles as "Ark of God" (1 Samuel 3:3), "Ark of the Covenant" (Josh. 3:6; Hebrews 9:4), "Ark of the Testimony" (Ex. 25:22).

In Exodus, Moses was given instructions on building the Ark of the Covenant. The inventive genius, Nikola Tesla, wrote in 'The Wall of Light' that Moses had to have been a skilled electrical engineer. The Ark, Tesla concluded, was a very powerful 'condenser.' It created intense vibrations that could smash solid stone. The Israelites carted the device into battle and won wars with it; not unlike the vibration weapons the Fremen used in the film 'Dune.'

I Samuel 14/5: 'And when the Ark of the Covenant of Yahweh came into the camp, all Israel shouted with a great shout...' 4/8: '...who shall deliver us out of the hand of these mighty Gods? these are the Gods that smote the Egyptians...'

In II Samuel 6/6-7...a simple man named Uzzah, disregarded warnings, touched the Ark improperly and was electrocuted! '...Uzzah put forth his hand to the ark of God, and took hold of it; for the oxen shook it. And the anger of the Lord was kindled against Uzzah; and Yahweh smote him there for his error; and there he died by the ark of Yahweh.' The man attempted to place it back on the ox-drawn cart and died. They had no concept of high-voltage. 6/9: 'And David was afraid of Yahweh that day.'

The story of Jericho is told in the Book of Joshua. The actual site of Jericho was found. The stone walls were over ten feet thick. What could bring down massive walls? According to the Old Testament, it was the power of Yahweh. Marching around the stone fort and blowing trumpets could not possibly shatter such walls. The Ark of the Covenant was there and responsible for 'tumbling down' the walls of Jericho. There are numerous references to, again, a great shout.


Ancient Astronauts

Figurines, Lizard-headed or Ubaid Style, clay, Ur (Ubaid culture), 5th millenium BCE, h:13.6 cm From the Ubaid - Southern Mesopotamian Period, 5000 BCE - 4000 BCEFound in Ur. The Ubaid culture succeeded the Halaf at the end of the 6th millenium BCE in southern Iraq, then spread throughout Mesopotamia. Ubaid culture is known for painted pottery; large houses of tripartite plan for extended families; and lizard-headed figurines of both male and female gender.

Figurines such as the above examples are typical. The figure on the left holds a baby on her hip and suckles it. The figure on the right has incised stretch marks on her abdomen. It has been suggested that the brown-painted dots and lines represent tatoos, and the clay pellets scarring. It is unknown if the shape of the skulls represents actual head-binding.Similar Lizard-headed figurines have been found at Eridu. Collon, Dominique. Ancient Near Eastern Art. Berkeley: University of California Press, 1995, pg 46.

Erich von Daniken

One of the strongest proponent of ancient astronaut theory is Erich von Daniken, author of several popular books on the subject. His best-selling Chariots of the Gods, published in 1968, argued that spacecraft landed long before modern humanity peopled the Earth. The ancient visitors carried out breeding experiments and produced a creature intelligent enough to have the rules of society imparted to it. These new beings invented agriculture and became the first artists, then created their own warlike civilizations. Sodom and Gomorrah were destroyed by an atomic bomb. The Ark of the Covenant was allegedly an electrified transmitter that allowed Moses to communicate with the astronauts. Von Daniken claims that ancient astronauts, complete with space helmets, were carved on stela at the Mayan city of Copan.

The term 'Ancient Astronauts' generally refers to extraterrestrials who
came to Earth and were in some way responsible for seeding the human race.

There are references to these entities in the bible, in ancient art and other texts. They are all linked with myths about creation found in all ancient civilizations.

As we search to find the truth behind the illusion, who created the human race, or biogenetic experiment, we look to those who came from the stars, ancient astronauts, creational gods, for our answers. All is theory, virtual reality, consciousness, and for the most part not provable, subject to the interpretation of the researcher or experiencer.

Most of us would love to find evidence of ancient astronauts, be visited by friendly aliens who could enlighten us to our true creational blueprint. Throughout the history of the human drama, we find all sorts of evidence that makes us think, believe, and quest for the greater truth. They are all just myths, legends, and theories...

Theories about Atlantis often link sightings of ancient astronauts to Atlantean space ships. This goes to the ancient gods called the Zep Tepi.

In China we find theories about an alien race called the Dropa who left behind fascinating discs.

The Popol Vuh, sacred to the Mayans, unequivocally states, "Men came from the stars, knowing everything, and they examined the four corners of the sky and the Earth's round surface."

Brazilian UFO researcher Jean Alencar has noted that the mythology of this country is replete with descriptions and statuettes of beings endowed with the power of flight. The legends of Brazilian natives, like those of other countries, detail experiences of gods or travelers from the sky who descended to earth when humans were little more that animals to instruct them in the arts of agriculture, astronomy, medicine, and other disciplines. Alencar points out one figure in particular, Bep-Kororoti, a space warrior worshipped by the tribes of the upper reaches of the Xing River. Not unlike the heroes of India's Mahabarata, Bep-Kororoti possessed a flying vehicle capable of destroying anything in its path. His aspect terrified the primitive natives, until he stepped out of his "raiment" and revealed himself to be fair-skinned, handsome, and kind. He amused the natives with his "magic" until he grew restless for his land in the sky and returned there.

The Chilam Balaam, is even more explicit and states "Beings descended from the sky in flying vessels...white men in flying rings, who can touch the sky."

There are indications that something very strange took place on our very own continent hundreds of thousands of years ago, before humans arrived on this continent (according to the canon of anthropology). Santa Maria Canyon holds evidence pointing toward the existence of a culture of intelligent beings who raised cattle, built weapons, and practiced funeral rites -- one million years ago. If we decide to stick with what academia has to say, in no way could these beings have been humans. Were they survivors of a Race of Aliens? This brings to mind theories of marooned spacemen, or colonists trying to tame a new planet? During the Prehistory Conference held during 1962 in Rome, Dr. W. Matthes presented the oldest carvings known to exist, created by a forgotten artist two hundred thousand years ago, when humans had allegedly just discovered the use of fire.

Discovered by the 19th century French explorer Henri Lhote, these figures were so unusual he dubbed them Martians, explaining their contour is simple, unartistic, and with rounded heads; their only detail is the double oval at the figure's center, which evokes the image we currently have of Martians.

to see more go to : http://www.crystalinks.com/ancientastronauts.html
to see more go to : http://www.crystalinks.com/extra.html


Maya Calender

Aztec calendar stone; in the National Museum of Anthropology, Mexico City. The calendar, discovered in 1790, is a basaltic monolith. It weighs approximately 25 tons and is about 12 feet (3.7 metres) in diameter.

The Maya had the most precise calendar of the New World. They calculated the orbit of Venus around the Sun to precisely one day in six thousand years. They also knew the time it takes the Earth to orbit the Sun with the same precision--365.2421 days. The figure is more precise than the one in our Gregorian calendar--365.2424 days. In fact, the Maya had two calendars which they used simultaneously. The "Haab Calendar," which had 365 days like ours. The "Tzolkin Calendar," which had only 260 days. Both calendars ended after 18,980 days or 52 years. Every 52 years, a new calendar cycle began. A third cycle, known in archaeology as the "long count," marks the beginning of the Mayan era. On our calendar, that date would be on August 11, 3114 BC. But the Maya did not exist back then! So why the precision of the date? What took place on that date? What happened that was important enough to make it the beginning of the Mayan calendar? What purpose did the 260-day "Tzolkin Calendar" have? It was useless for the seasons on Earth. The computer animation will bring the planets of our solar system into view and a hypothetical planet will then be overlaid between Mars and Jupiter which orbited the Sun every 5.2 years (1,898 days). The Maya cycle.

Nazca Alien Landing Spots

Lines of the Plains of Nazca. Are they route-map indicators for space visitors, oriented by a 3-mile line that marks the summer solstice?

One of 6 major carvings on the Plain of Nazca. A hovering hummingbird, a figure associated throughout mythology which with the arrival of the gods.

Not to far away from the Nascan Peru lines at Bay of Pisco, a three-prong indicator of the direction toward the Plains of Nazca. This is more than 2,000 years old, of unknown orign.

Space Vehicles ,Exodus

You may not know this, but it was the Angels of YAHWEH, in spaceships, that delivered the Israelites from out of slavery to the Egyptians.

Their spacecraft was called a "pillar of fire by night and a pillar of a cloud by day" in Exodus 13:23-24 and the verse said that YAHWEH or "the LORD" (usually His Angel that represents Him) were inside the craft.

It stated: "The LORD went before them by day [IN A] pillar of a cloud."

This proves that someone was INSIDE the cloud!

You may wonder how to know that this was not a regular rain cloud?

First of all, it is impossible for this to be a rain cloud became the Israelites followed this craft for 40 years while wandering in the wilderness. No rain cloud lasts for 40 years. And if you pay close attention to the relationship of the craft with the Israelites as they journeyed, you'll see that it's impossible for the cloud to be a rain cloud.

In the book of Numbers, the 15th chapter, verses 15-23 the Israelites followed the object and whenever it abode, tarried, covered, was upon, was above (all these words meant that it hovered over) the tabernacle, the nation of Israel pitched their tents or set up camp. And, whenever the object was taken up, moved on or flew onward, they followed it. And this was the case for the entire 40 years.

Also, we can see in scriptures the object landing, the Angel getting out (obviously human), correcting situations amongst the Israelites, getting back in the craft or cloud and continuing to guide the people to the promise land. This is seen in Numbers 12:1-10.

Also, the Blackness of the Israelites is implied in verse 10 of Numbers chapter 12 when Miriam was turned White.

Another verse of the object landing was seen in Numbers 10:11-12 when the craft would land or rest in the wilderness of Paran as if to give its batteries a chance to recharge.

After reading this, I became convinced that this cloud was not a rain cloud, but rather was a glowing craft that appeared white in the day, up in the area where clouds would be, and it would appear to glow brighter and brighter, the more night set in, until it was very luminous or fiery in the darkest moments of the night.

Ancient Egyptians and Electricity?

2.ionised fumes
3.electric discharge (snake)
4.Lamp socket (Lotos)
5.Cable (Lotos stem)
6.Air god
7.Isolator (Djed-Pillar)
8.Light bringer Thot with knifes
9.Symbol for "current"
10.Inverse polarity (Haarpolarit�t +)
11.Energy storage (electrostatic Generator?)

coming sooon......


Pheonix Lights

The Chariots of Yahweh are twenty thousand, even thousands of angels: Yahweh is among them, as in Sinai, in the holy place. -Psalm 68:17

What is a Close Encounter!

First Kind
When you see a flying saucer (disc, cigar, spheroid, what have you), that's an encounter of the first kind.

Second Kind
When you encounter any type of 3-D physical tracings, or remnants, of something apparently not of this world, or this dimension - such as when someone has etched a sketch in your crops or when your cow is mutilated or when you find a piece of chrome off a flying saucer - that's an encounter of the second kind.

Third Kind
And then when you encounter not only a saucer, or a ship, but you also see the entities who are driving said ship, and they maybe wave at you, and you wave back, that's an encounter of the third kind.

Fourth Kind
And if you get invited aboard, or taken aboard, and have experiences therein, that's an encounter of the fourth kind.

Fifth Kind
And finally, let's say you haven't seen a space craft, or its tracings, nor have you seen the occupants of such a craft, nor have you been aboard, but you would like to, and you're not afraid, and you have learned something about what it takes to initiate contact, so you try it - try to initiate contact - and out of the blue, so to speak, contact does indeed happen, (of any of the previously mentioned first to fourth kinds) this is an encounter of the fifth kind.

Thus says Yahweh ,learn not the ways of the heavens and be not dismayed at the signs of the heavens because the heathens are dismayed by them - Jeremiah 10:2

The Pheonix Lights came twice in a to Arizona, They droped from the mothership of Yahweh at the angels control, Yahweh is trying to tell them by this glory ' Worship Me, Choose Me I am Yahweh,many people seen it and many people filmed it but they still do not understand what is going on with all these UFO/Spaceship sightings

The Phoenix Lights, sometimes referred to as "the Lights over Phoenix", is the popular name given to a series of optical phenomena that took place in the sky over the U.S. states of Arizona and Nevada, and the Mexican state of Sonora on March 13, 1997. Lights of varying descriptions were seen by thousands of people between 19:30 and 22:30 MST, in a space of about 300 miles, from the Nevada line, through Phoenix, to the edge of Tucson. There were two distinct events involved in the incident: a triangular formation of lights seen to pass over the state, and a series of stationary lights seen in the Phoenix area. The United States Air Force (USAF) identified the second group of lights as flares dropped by A-10 Warthog aircraft which were on training exercises at the Barry Goldwater Range at Luke Air Force Base.


extraterrestrials of Yahweh

Yaliens In The Bible

Dear Viewers,

Originally, I wrote this email for a person I met online who lives in England.

After reading his response about it, I decided to make it known to all of you.

This is a post about YAHWEH's aliens - the biological or technological entities that some people see and think are the real aliens.

I call them the "Yaliens" instead of aliens.

When you hear about people having encounters with aliens: reptilians; mammalians; insectoids; greys; humanoids; etc., most of these people think that they are dealing with demonic entities.

But, what they don't know is that these exact same entities are found in the sacred writings of our fathers, the black Israelites, as members of YAHWEH's armies.

Also, in the writings of our fathers, prophecy states that in the last days, the Angels of YAHWEH would use these robotic, souless, creators in Their psychological and physical warfare, and take over of the earth in preparations for our true Messiah's return.

Let me give you some examples of the same type of so-called aliens people claim to see that are in our sacred writings.

But first I am going to show you how Extraterrestrials have been recorded even in the ancient days on tablets dating back 7,000 years ago.

Reptilian humanoids are a proposed race of intelligent, supernatural, or highly developed reptile-like humanoids in mythology, popular fiction, pseudoscientific theories and in the writings of New Age conspiracists. They appear in some conspiracy theories, most notably those of Riley Martin, John Rhodes, David Icke, and in science fiction. Reptoids, a conjoined word defining Reptilian-Humanoid beings, is the most popular name used to describe these cryptid beings, although some authors also refer to them as dinosauroids, lizardfolk or lizardmen. Other names include Draconians, Saurians and Sauroids. They are often described as being green or gold color. Similar to the other cryptids, no one has produced proof of the existence of reptilian humanoids, and allegations of their existence can at best be referred to as cryptozoology or pseudoscience.

Mythological references to reptilian humanoids

Several ancient peoples all over the world have described reptilian beings, and some have described reptilian humanoids. Common in numerous mythologies are tales of reptilian creatures (usually not humanoid) who are often, but not always, hostile to human beings. Also rather common are the myths of "Serpents of Wisdom" who enlightened humanity before the dawn of civilization.

Some individuals, doubting claims of reptilian humanoid sightings or contacts, suggest that the mythological preeminence of reptilian forms could stem from a genetic memory of instincts developed millions of years ago, when mammals were the prey of the reptiles which dominated the Earth. Dreams of reptiles are often interpreted as symbolizing "ancient drives" and "instinctive responses".

The Americas

The Toltec Mayan god Gucumatz was described as a "serpent of wisdom" who enlightened humankind. His Aztec counterpart was named Quetzalcoatl. In the Yucatan, he is called Kukulcan.

The Hopi refer to a race of reptoids called the Sheti, or "Snake-Brothers", who live underground. The Cherokee and other Native American peoples also refer to reptoid races.

In pre-Columbian mythology from Colombia, Bachue (the primordial woman) transformed into a big snake. She is also sometimes called the "Celestial Snake" (Serpiente Celestial).

Many users of the drug Dimethyltryptamine (the active ingredient in many South American shamanic potions such as ayahuasca) have seen reptilian humanoids or reptilian disincarnate entities and aliens while hallucinating (Strassman 2000).


Cecrops I, the legendary first King of Athens was said to have been half man, half snake. The ancient Titans and Gigantes were sometimes depicted as winged man-like beings with serpents instead of legs, for example on a fresco on a temple in Pergamum. In these images from Pergamum, some of which depict the gigantomachy, one sees the giant Klyteios with huge serpents in place of legs.

Boreas (Aquilon to the Romans) was the Greek god of the cold north wind, described by Pausanias as a winged man with serpents for legs.

The European dragon dates back to ancient depictions on various archaeological artifacts. An early instance in literature was the dragon that guarded the Golden Fleece in the Voyage of the Argonauts. In the Middle Ages, tales of dragons seem to have become even more common. The dragon in Europe, as a rule, was not conceived as having a humanoid form, and would not qualify as an instance of a reptilian humanoid unless explicitly described as humanoid.


In Indian scriptures and legends the Naga are reptilian beings said to live underground and interact with human beings on the surface. Some are alleged to turn human. In some versions, these beings were said to have once lived on a continent in the Indian Ocean that sank beneath the waves. Indian texts also refer to a reptilian race called the "Sarpa. The Syrictae of India were a tribe of men with snake-like nostrils in place of noses and bandy serpentine legs.

East Asia

The Chinese, Korean and Japanese speak throughout their history of Lóng (Yong in Korean, Ryu in Japanese) or dragons, conceived of in both physical and non-physical forms, but rarely depicted in humanoid form, though they may assume a non-reptilian human form.

The Japanese have tales of Kappa, a basically reptilian humanoid.

In China, Korea and Japan, underwater realms where the Dragon Kings and their descendants live are referred to, as well as the lineage of humans from a race of dragons. This lineage was often claimed by Asian Emperors, who were believed to be able to change from human to dragon form at will, much like the modern concept of shapeshifting reptilians. However, the dragon is seen as good rather than evil in Eastern tradition.

Middle East

In the Middle East, reptilian beings ranging from certain Jinn to dragons and serpent-men have been spoken of since ancient times. In one of the apocryphal books purporting to be the lost Book of Jasher, a serpent race is described.

In the Book of Genesis, God punishes the serpent for deceiving Eve into eating the fruit of the Tree of Knowledge of Good and Evil by decreeing, "Upon thy belly thou shalt go, and dust shalt thou eat all the days of your life" (Genesis 3:14 KJV). Traditionally, many have felt this implied that the serpent (a snake or reptile) had legs before then. Thus It is therefore often portrayed in Western art as a humanoid (woman) with a snake's tail, and sometimes lizard-like feet, as in a detail from Bosch's Last Judgement.

In the Middle Ages down to modern times, the Devil was often conceived as a humanoid with reptilian characteristics, as were demons in general. But the New Testament reference of Revelation 12:9 which identifies the serpent of Genesis as Satan himself (the "dragon, devil, Satan, ancient serpent," etc.) gives insight from another angle. The serpent in the Garden of Eden was Satan himself, a beautiful supernatural being (either called a "serpent" symbolically, or because he manifested himself commonly in a dragon/serpent-like form). Hence the reference to "crawling" and "eating dust" is purely symbolic of his ultimate defeat and humiliation.


In Africa, some shamans claim to bear extensive esoteric knowledge of a race of reptilians called the Chitauri, whom they say control the Earth. They also claim to have accounts of a reptilian race who created them and used them to work their gold mines. Also, the ancient Egyptian god Sobek was portrayed as a man with the head of a crocodile.

Modern Claims

Even in modern times, some claim to have encountered reptilian humanoids. In many of these cases, a UFO is part of the encounter; alien abduction narratives sometimes allege contact with reptilian creatures.

Scientific Speculation

In a thought experiment published in 1982, paleontologist Dale Russell, curator of vertebrate fossils at the National Museum of Canada in Ottawa, conjectured that, had the Chicxulub meteorite not exterminated the dinosaurs 65 million years ago, bipedal predators (theropods) which existed at that time, such as Troodon, would have evolved into intelligent beings similar in body plan to humans. Troodontids had semi-manipulative fingers, able to grasp and hold objects to a certain degree, and binocular vision.

Like most dinosaurs of the troodontid family, this imaginary creature, which Russell called the "Dinosauroid", would have had large eyes and three fingers on each hand, one of which would have been partially opposed. As with most modern reptiles (and birds), its genitalia would have been internal.

Russell speculated that it would have required a navel, as a placenta aids the development of a large brain case, however it would not have possessed mammary glands, and would have fed its young, as birds do, on regurgitated food. Its language would have sounded somewhat like bird song.

Russell's fanciful speculation has been met with criticism from other paleontologists since the 1980s, many of whom point out that Russell's Dinosauroid is overly anthropomorphic. Gregory S. Paul (1988) and Thomas R. Holtz Jr., consider it "suspiciously human" (Paul, 1988) and argue that a large-brained, highly intelligent troodontid would retain a more standard theropod body plan, with a horizontal posture and long tail, and would probably manipulate objects with the snout and feet in the manner of a bird, rather than with human-like "hands".

Darren Naish (2006) pointed to the ground hornbill as a better model for an intelligent dinosaur.

Artists have used these new approaches to the original thought experiment to re-interpret the Dinosauroid, going so far as to create "Dinosauroid cave art", which depicts sentient, tool-using troodontids and other dinosaurs and pterosaurs, painted using sticks and feathers.

Conspiracy Theories

There are many conspiracy theories involving reptilian extraterrestrials, or terrestials of reptilian lineage. Many posit that the so-called Greys are in fact reptiles, and should be categorized as "Reptoids", others that Reptoids are an entirely different species working with or in opposition to the Greys. Some have also claimed that they are capable of shape-shifting (Icke, 2004).

One of the earliest, modern-day reports is that of Ashland, Nebraska police officer Herbert Schirmer. On December 3, 1967, Schirmer claims to have been taken aboard a UFO that appeared just outside of Ashland, where he encountered humanoid beings, 4 feet 6 inches to 5 feet tall, who wore close-fitting silvery gray uniforms, boots, and gloves. Their heads were thin, and longer than a human head. The skin on their faces was grey-white, the nose flat, the mouth merely a slit which did not move, even when they spoke. Their eyes were slightly slanted. While only slightly reptilian in their outward appearance, these beings bore a "winged serpent" emblem on the left side of their chest. Schirmer alleged that the beings are from another galaxy, and have bases on Earth.

John Rhodes was the first person to seriously investigate and publicly present claims of reptilian-humanoid sightings and/or contact. He established the Reptoids.com Research Center in 1997 to collect, review and present evidence of reptoid activity. He has also appeared on television and radio shows being interviewed about his discoveries and the science supporting the theory of Reptoids.

Rhodes contends that the majority of the reptilian humanoids are descendants of the dinosaurs and are biological byproducts of Earth evolution. He also states that human attention has been intentionally misdirected away from the underworld toward deep space, so the subject of underground Earth dwelling Reptoids and lost ancient civilizations can remain secret. Rhodes also adds that most accusations of politicians shape-shifting into reptilian humanoids are totally unfounded, and that such reports are simply projections of collective fear and blame for the world's conditions.

When questioned as to why Reptoids have become the proverbial "whipping boys" of modern ufology, he responds that it is because people tend to have a knee-jerk reaction to the image that western religious authorities have conditioned us to fear and distrust.

A subterranean Nazi-friendly super race is sometimes associated with accounts of reptilian humanoids, and also with the telekinetic super race depicted in Vril: The Power of the Coming Race.

Riley Martin, author of The Coming of Tan and frequent guest of Howard Stern, claims personal knowledge of Targzissians, a malevolent race of reptilians who manage to coexist with six other types of aliens on a mother ship near Saturn.

Paul Shockley, a self-professed psychic, also speaks of malevolent reptilian beings. However, he explains that he does not believe that all reptilians are malevolent, and that there are benevolent members of this species as well.

The Theories of David Icke

According to David Icke reptilian humanoids are the force behind a worldwide conspiracy directed at manipulation and control of humanity. He contends that most of our world's leaders, from George W. Bush to members of the British royal family, are in fact 7-foot tall, blood-drinking reptilians from the star system Alpha Draconia.

According to an interview with David Icke, Christine Fitzgerald, a confidante of Diana, Princess of Wales, claims that Diana told her that the Royal Family were reptilian aliens, and that they could shapeshift. David Icke and others have claimed that U.S. President George W. Bush and his family are part of this same bloodline (Icke, 2004).

Icke claims, based on his exploration of genealogical connections to European royalty, that many presidents of the United States have been and are reptilian humanoids. In his view, United States foreign policy after September 11 is the product of a reptilian conspiracy to enslave humanity, with George W. Bush as a servant of the lizards.

He also theorizes that the reptilians came here from the constellation Draco. One type of reptilian entity that people see during alleged encounters resembles reptoids like those that are addressed in the studies of John Rhodes and the Reptoids Research Center. Like most conspiracy theories, proving Icke's hypotheses is impossible, but he continues to sell books and give speaking engagements based on concepts ranging from the New Age to his political opinions.

Others who share the negative viewpoint of reptilian humanoids include Cathy O'Brien, a woman who claims to be a victim of CIA MKULTRA mind-control. O'Brien says in her book "The Trance-formation of America" (with Mark Phillips) that she witnessed George Bush Sr. physically shapeshift into a reptilian alien being. She rationalized this as potentially being a holographic illusion as part of her mind control programming. Arizona Wilder reported similar sightings of prominent politicians shape-shifting into reptilian beings during Illuminati blood rituals. While her claims sound frightening, no supporting evidence or additional eyewitnesses exist.

Patrick Bellringer and other supporters of NESARA also claim that George Bush is a reptilian. In this scenario, the announcement and implementation of NESARA (a law passed in secret) will ultimately end reptilian control over the planet Earth.

Reptilian humanoid aliens figured prominently in the 2003 murder trial of David Icke fan Linda Henning who was eventually convicted of murdering her boyfriend's ex-wife, Girly Chew Hossencofft. The trial was covered by CourtTV, providing national exposure to the conspiracy theories involving such creatures. Henning allegedly believed or was told by co-conspirator Diazien Hossencofft that Girly's killing would serve as good practice for the upcoming showdown with the reptilians. Familiar themes of a Bush family reptilian connection surfaced in evidence seized in connection with the trial. Both Henning and Hossencofft are serving life sentences.

Claims about the Anunnaki

Zecharia Sitchin claims to have translated Sumerian tablets referring to an alien race which created a race of humans to work as slaves in their mines in Africa. This race is called the Anunnaki and Sitchin claims that the "Black-headed" people of Sumer were created by these beings by mingling the "life-essences" of "man and beast". According to Sitchin, the "Black-headed people" were considered slaves in the Sumerian caste hierarchy beneath their creators. The Sumerian Tablets refer to the creation of the Black-headed people in the geographical area called 'AB.ZU.', which is said to correspond to West Africa. See also Stargate.

The royalty was said to be a combination between "dragons" and humans, or to be direct descendants of the Sun God, Shamhash. Contrary to the claims of David Icke, the Draconian Sun-God aspect of the royalty does not correspond to the Anunnaki, but to a different set of gods. Anunnaki comprised only 23 gods in the Sumerian pantheon, including Enlil (lord of wind/air) and Enki (lord of earth). Other gods were not Anunnaki at all, but were personifications of the Sun, or what were described as 'Sir', or Dragons, in Babylonian. This word, 'Sir', also apparently meant 'great serpent', and is related to the Sanskrit word 'Sarpa', which was also used to describe great "Dragon-Gods" who ruled over, and created, the original Dravidian culture.

Sitchin also suggests that the Annunaki probably still exist in some form or another, with some degree of influence over humanity. These beings are speculated to be either amphibious, reptilian, or quasi-reptilian, from ancient description.

According to Arizona Wilder, who claims to be a former mind-controlled subject of MK-Ultra (much like Cathy O'Brien), Zecharia Sitchin is in league with the reptilians as a disinformation agent. She claims to have seen him with other shape-shifting reptilians at many high-level functions attended by the world's "elite". Her claim to have been a subject of mind control makes her "eyewitness" accounts suspect.

Laurence Gardner, historian and holder of many other titles (the validity of which have been debated), claims that a "Dragon Bloodline" (a "Holy Grail") was created in ancient Sumer when reptilian aliens called "Anunnaki" descended upon the region and created a royal bloodline through genetic engineering.

Stewart Swerdlow, and old friend from NY, claims to possess extensive knowledge of alien intervention in Earth-human society, and describes in detail the activities of a Reptilian race called the Draco, originating in the Draco star system. He also mentions a more benevolent reptilian race called the Anunnaki, the Sumerian Program, which created the Black race in Africa. He claims that this is supported by ancient Sumerian tablets, as well as the histories of the indigenous peoples of Africa, such as the Zulu, as well as physical evidence such as ancient mines which have been discovered by the Anglo American Corporation, dating to 60,000 years B.C.


In Numbers 21:4-9, reptilians, called serpents or fiery serpents are described being used by the Angels of YAHWEH to punish our people, after being delivered out of Egyptian slavery, because of our complaining.

4. And they journeyed from mount Hor by the way of the Red sea, to compass the land of Edom: and the soul of the people was much discouraged because of the way.

5. And the people spake against God, and against Moses, Wherefore have ye brought us up out of Egypt to die in the wilderness? for [there is] no bread, neither [is there any] water; and our soul loatheth this light bread.

6. And YAHWEH sent fiery serpents among the people, and they bit the people; and much people of Israel died.

7. Therefore the people came to Moses, and said, We have sinned, for we have spoken against YAHWEH, and against thee; pray unto YAHWEH, that he take away the serpents from us. And Moses prayed for the people.

8. And YAHWEH said unto Moses, Make thee a fiery serpent, and set it upon a pole: and it shall come to pass, that every one that is bitten, when he looketh upon it, shall live.

9. And Moses made a serpent of brass, and put it upon a pole, and it came to pass, that if a serpent had bitten any man, when he beheld the serpent of brass, he lived.



In Revelations 9:1-11, 13-19, it describes strange metallic entities called "locusts," with the tails of a scorpion, that the Angels of YAHWEH released, from inside the earth, to go forth and torment humanity for five months.

1. And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.

2. And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.

3. And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power.

4. And it was commanded them that they should not hurt the grass of the earth, neither any green thing, neither any tree; but only those men which have not the seal of YAHWEH in their foreheads.

5. And to them it was given that they should not kill them, but that they should be tormented five months: and their torment [was] as the torment of a scorpion, when he striketh a man.

6. And in those days shall men seek death, and shall not find it; and shall desire to die, and death shall flee from them.

7. And the shapes of the locusts [were] like unto horses prepared unto battle; and on their heads [were] as it were crowns like gold, and their faces [were] as the faces of men.

8. And they had hair as the hair of women, and their teeth were as [the teeth] of lions.

9. And they had breastplates, as it were breastplates of iron; and the sound of their wings [was] as the sound of chariots of many horses running to battle.

10. And they had tails like unto scorpions, and there were stings in their tails: and their power [was] to hurt men five months.



Revelations describes strange mammal and bird like creatures, on the planet where YAHWEH and His Angels live.

Chapter 4:6-7 gives us a description of these entities.

The way you can tell that they are robotic is that these verses let's us know that they rested not day or night.

Because of this, it should be clear that they are technological beings, biological or otherwise, and not actual living creatures, is that all living creatures rest.

Even, the supreme living being, YAHWEH, rested on the seventh day of creation.

But these mammalian entities rested not.

Only technological, robotic beings can go without rest day and night like that.

In these verses you can see how these robotic mammalians signal the call for the Elders to bow and worship YAHWEH.

Here's how Revelations 4:6-7 describes these mammalians:

6. And before the throne [there was] a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, [were] four beasts full of eyes before and behind.

7. And the first beast [was] like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast [was] like a flying eagle.

8. And the four beasts had each of them six wings about [him]; and [they were] full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come.

9. And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever,

10. The four and twenty elders fall down before him that sat on the throne, and worship him that liveth for ever and ever, and cast their crowns before the throne, saying,

11. Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created.


Here in Revelations 5:8 -14, we see where these mammalian beasts worshipped YAHWEH, gave praise to the Messiah (the Lamb).

8. And when he had taken the book, the four beasts and four [and] twenty elders fell down before the Lamb, having every one of them harps, and golden vials full of odours, which are the prayers of saints.

9. And they sung a new song, saying, Thou art worthy to take the book, and to open the seals thereof: for thou wast slain, and hast redeemed us to God by thy blood out of every kindred, and tongue, and people, and nation;

10. And hast made us unto our God kings and priests: and we shall reign on the earth.

11. And I beheld, and I heard the voice of many angels round about the throne and the beasts and the elders: and the number of them was ten thousand times ten thousand, and thousands of thousands;

12. Saying with a loud voice, Worthy is the Lamb that was slain to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing.

13. And every creature which is in heaven, and on the earth, and under the earth, and such as are in the sea, and all that are in them, heard I saying, Blessing, and honour, and glory, and power, [be] unto him that sitteth upon the throne, and unto the Lamb for ever and ever.


Revelations 6:1-3 reveals to us that these mammalian beasts made announcements, to the prophet, during special occassions, in the vision, on the planet where YAHWEH and His Angels live.

1. And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.

2. And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.

3. And when he had opened the second seal, I heard the second beast say, Come and see.


We see here, in Revelations 15:5-8, the role that the mammalian beasts play in the execution of orders given to YAHWEH Angels.

5. And after that I looked, and, behold, the temple of the tabernacle of the testimony in heaven was opened:

6. And the seven angels came out of the temple, having the seven plagues, clothed in pure and white linen, and having their breasts girded with golden girdles.

7. And one of the four beasts gave unto the seven angels seven golden vials full of the wrath of God, who liveth for ever and ever.

8. And the temple was filled with smoke from the glory of God, and from his power; and no man was able to enter into the temple, till the seven plagues of the seven angels were fulfilled.


Now, here is the famous verses in Ezekiel 1 that describe metallic mammalians that fly.

Consider the following verses in chapter 1:

1. Now it came to pass in the thirtieth year, in the fourth [month], in the fifth [day] of the month, as I [was] among the captives by the river of Chebar, [that] the heavens were opened, and I saw visions of God.

2. In the fifth [day] of the month, which [was] the fifth year of king Jehoiachin's captivity,

3. The word of YAHWEH came expressly unto Ezekiel the priest, the son of Buzi, in the land of the Chaldeans by the river Chebar; and the hand of YAHWEH was there upon him.

4. And I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness [was] about it, and out of the midst thereof as the colour of amber, out of the midst of the fire.

5. Also out of the midst thereof [came] the likeness of four living creatures. And this [was] their appearance; they had the likeness of a man.

6. And every one had four faces, and every one had four wings.

7. And their feet [were] straight feet; and the sole of their feet [was] like the sole of a calf's foot: and they sparkled like the colour of burnished brass.

8. And [they had] the hands of a man under their wings on their four sides; and they four had their faces and their wings.

9. Their wings [were] joined one to another; they turned not when they went; they went every one straight forward.

10. As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle.

11. Thus [were] their faces: and their wings [were] stretched upward; two [wings] of every one [were] joined one to another, and two covered their bodies.

12. And they went every one straight forward: whither the spirit was to go, they went; [and] they turned not when they went.

13. As for the likeness of the living creatures, their appearance [was] like burning coals of fire, [and] like the appearance of lamps: it went up and down among the living creatures; and the fire was bright, and out of the fire went forth lightning.

14. And the living creatures ran and returned as the appearance of a flash of lightning.

15. Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces.

16. The appearance of the wheels and their work [was] like unto the colour of a beryl: and they four had one likeness: and their appearance and their work [was] as it were a wheel in the middle of a wheel.

17. When they went, they went upon their four sides: [and] they turned not when they went.

18. As for their rings, they were so high that they were dreadful; and their rings [were] full of eyes round about them four.

19. And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up.

20. Whithersoever the spirit was to go, they went, thither [was their] spirit to go; and the wheels were lifted up over against them: for the spirit of the living creature [was] in the wheels.

21. When those went, [these] went; and when those stood, [these] stood; and when those were lifted up from the earth, the wheels were lifted up over against them: for the spirit of the living creatures [was] in the wheels.

22. And the likeness of the firmament upon the heads of the living creature [was] as the colour of the terrible crystal, stretched forth over their heads above.

23. And under the firmament [were] their wings straight, the one toward the other: every one had two, which covered on this side, and every one had two, which covered on that side, their bodies.

24. And when they went, I heard the noise of their wings, like the noise of great waters, as the voice of the Almighty, the voice of speech, as the noise of an host: when they stood, they let down their wings.

25. And there was a voice from the firmament that [was] over their heads, when they stood, [and] had let down their wings.

26. And above the firmament that [was] over their heads [was] the likeness of a throne, as the appearance of a sapphire stone: and upon the likeness of the throne [was] the likeness as the appearance of a man above upon it.

27. And I saw as the colour of amber, as the appearance of fire round about within it, from the appearance of his loins even upward, and from the appearance of his loins even downward, I saw as it were the appearance of fire, and it had brightness round about.

28. As the appearance of the bow that is in the cloud in the day of rain, so [was] the appearance of the brightness round about. This [was] the appearance of the likeness of the glory of YAHWEH. And when I saw [it], I fell upon my face, and I heard a voice of one that spake.

the end


Santiago Chile 2007 UFO's

Psalm 68:17

The Spaceships of Yahweh are twenty thousands,even thousands of angels, Yahweh is among them, As in Sinai, as for the hloy place.

What is a Close Encounter!

First Kind
When you see a flying saucer (disc, cigar, spheroid, what have you), that's an encounter of the first kind.

Second Kind
When you encounter any type of 3-D physical tracings, or remnants, of something apparently not of this world, or this dimension - such as when someone has etched a sketch in your crops or when your cow is mutilated or when you find a piece of chrome off a flying saucer - that's an encounter of the second kind.

Third Kind
And then when you encounter not only a saucer, or a ship, but you also see the entities who are driving said ship, and they maybe wave at you, and you wave back, that's an encounter of the third kind.

Fourth Kind
And if you get invited aboard, or taken aboard, and have experiences therein, that's an encounter of the fourth kind.

Fifth Kind
And finally, let's say you haven't seen a space craft, or its tracings, nor have you seen the occupants of such a craft, nor have you been aboard, but you would like to, and you're not afraid, and you have learned something about what it takes to initiate contact, so you try it - try to initiate contact - and out of the blue, so to speak, contact does indeed happen, (of any of the previously mentioned first to fourth kinds) this is an encounter of the fifth kind.

Ancient Vimanas Flying Vehicles

A vimana is a mythological flying machine, described in the ancient literature of India. References to these flying machines are commonplace in ancient Indian texts, even describing their use in warfare. As well as being able to fly within Earth's atmosphere, vimanas were also said to be able to travel into space and travel submerged underwater.

Descriptions in the Vedas and later Indian literature detail vimanas of various shapes and sizes:

flying a swift and powerful vimana hurled a single projectile Charged with all the power of the Universe.
An incandescent column of smoke and flame As bright as the thousand suns Rose in all its splendour...
a perpendicular explosion with its billowing smoke clouds......the cloud of smoke rising after its first explosion formed into expanding round circles like the opening of giant parasols... ..it was an unknown weapon, An iron thunderbolt, A gigantic messenger of death, Which reduced to ashes The entire race of the Vrishnis and the Andhakas....The corpses were so burned As to be unrecognizable. The hair and nails fell out; Pottery broke without apparent cause, And the birds turned white. After a few hours All foodstuffs were infected... ...to escape from this fire The soldiers threw themselves in streams To wash themselves and their equipment.
Ancient verses from the Mahabharata: (6500 B.C.E?)

The Abydos Mystery

Is this for real? Yes the picture is authentic. No post-production manipulations (with an exception of the line added by the author) or tweaking by graphic manipulation software.

The question is: "What do you see?"

Some people have suggested that in the upper left is a shape reminiscent of a helicopter or cessna type of airplane; in the upper right it may be a boat or a submarine; below that may be a UFO or a disc shaped type of airplane; continuing further below might be a track of a bigfoot (or even a Roswell type of alien--four fingers!) and at the bottom the whole glyph seems to end with a jet airplane.

It is my personal opinion that the textbook type of history is not exactly in sync with numerous finds and hints in the ancient literature and core of myths. According to these sources, in the remote past there have been people flying in all sorts of devices, going under the water in submersibles, you name it. Sumerian and Indian literature is quite stunning with its descriptions of many devices, going sometimes into great detail, especially in the Indian epics. Traces of awareness of similar devices are apparent in Greek mythology, or in much earlier Hittite literature, but also in the modern remnants of ancient mythologies, as in the myths of Australian or New Guinean aborigines, American Natives, myths of European nations, Yakuts -- simply wherever you look.

Or, as some suggest, the apparent linearity of the flow of time is an illusion. It may as well be...

But is it true in this case? Do we see either evidence of some highly technologically advanced culture (relatively speaking, from our point of view), or is some sort of time anomaly grinning at us from the Egyptian glyph?

There may be quite a mundane explanation at hand, although it involves a little bit of knowledge about the Egyptian culture, its writing system and the well known tendency to "correct" (alter) previous inscriptions whenever a monarch desired to do so. Plaster mixed with a pigment to match the stone color was an ideal material for modifications. It is just a chain of coincidences that the Abydos samples carry an uncanny resemblance to modern transportation devices, though Jungian thinkers may claim that there is no such a thing as that much sheer coincidence. Maybe the Abydos inscription is, on some deeper level, a type of message hinting at the uncertainty of our perception of time, with a meaning we are only able to discern in an archetypal or other sense. But I would rather leave the philosophical aspects of the inscription alone for now and try to make sense of it by conventional means.

The first thing which attracts attention of someone who has studied Egyptian literature, at least to a degree which enables one to decipher single hieroglyphs and the meaning of some combinations, are the two leftmost symbols. The two letters are a part of a standard determinative. These two letters mean "king". On a snapshot taken by Sheri Nakken (although it is not a very clear image), additional glyphs are discernable—the determinative for Lower and Upper Egypt and another determinative followed by a royal cartouche. The picture I was supplied (courtesy Amargi) for use in deciphering the name in the cartouche was a low-resolution image, thus the deciphering of the king's name is not guaranteed, but it seems to belong to Senworsets. The first symbol in the cartouche was in use since IX dynasty by all kings, and means Ra (the Sun-god). From these glyphs it is fairly obvious that the whole series of glyph is one of the standard laudatory epithets, possibly describing the loftiness of the king.

Not being trained in the "Khemt" language, the deciphering of the meaning of the glyphs is not possible without help from an egyptologist (see a reply from Serge Rosmorduc, an author of a web introduction to Egyptian hieroglyphs). What I did was to identify the glyphs, trying to match the components of the overlayed glyphs with standard hieroglyphs, as seen in the image on the left. Most of the characters are decipherable easily; there are only a few which are obscured by corrections to such a degree that the identification is not possible without a knowledge of the semantic sense of the inscription. The part of the glyph on the right side of the original image is unclear. Unfortunately, a part of the stone on which the glyph was made developed a crack and a small piece of it fell off. The symbol is vaguely familiar; possibly I have seen it used on some other inscriptions in the Abydos complex. I tried to compare it with about 4,800 hieroglyphs in my library, but I was unable to find a close match.

There is one aspect of the inscription which is puzzling. The temple in Abydos (or Abdjou, as the location was called by Egyptians), is quite a remarkable edifice, especially as far as the quality of glyphs is concerned. They are all very precise and as far as I can judge, there's no trace of sloppy workmanship anywhere in the temple, bare the above inscription. The temple was build by Seti I and finished by his son, Ramses II, during an era of classical revival. The obvious corrections on the inscription in question are thus seemingly out of place. But without the translation of the inscription, it is difficult to propose a hypothesis for why the original inscription was changed, apparently twice.

We can conclude that the inscription is not a record of ancient knowledge of machines similar to our modern transportation devices. The seemingly modern pictographs are a coincidental combination of quite common symbols.

Are there other artifacts or records that would suggest the opposite? To answer that question, we have to look at numerous enigmatic objects and inscriptions. These are usually interpreted by archeologists in the same way they explain away practically anything which does not fit into preconceived notions about the knowledge base of ancient cultures -- as mere "religious symbolism." A new look, and a new outlook, may provide future insight into the past.

Inca Stones of Peru

A year of research has got me nowhere. It is ironic that a most tangible object on present-day earth... of a long, long, lost civilization is so overlooked.
If the stones are a hoax (which they could be), I have some overriding questions: Why would anyone go to the trouble of years of labor carving pictures in stone and then burying them..., some many decades ago? Where is the profit angle? How would they do it? How could anyone without very recent knowledge, know how the world looked from the skies some 13,000,000 years ago? I have been looking for answers, without success. I welcome opinions.

Let me first explain that I pretend no extraordinary knowledge of the stones, other than what I have read. Nor do I attempt to deny or confirm their origination, and I do not yet accept or deny that they may be alien-related. On the contrary, if someone were to insist on my own theory, I would hesitate a very long time, but based on the information, would have little choice but admit that I lean toward the ancient civilization possibility. Nothing else makes sense.

One thing is certain... approximately 15,000 stones, ranging from the size of a tomato to twice that of a basketball, do exist. Of that, there is no doubt. They are not a secret. They are not cached away in some mysterious place. Dr. Cabrera's museum is so incredibly open that anyone off the streets can walk in and handle the stones. Theft? Why bother? At one time, they could be purchased off vendor carts.

Why the mystery, then? The stones are clearly carved with remarkable scenes of medical transplants, people riding dinosaurs, telescopes, and views of the planet Earth as it appeared 13,000,000 years ago (that's right, 13 MILLION years ago, pre-stone age). No one can explain them. There has been no logical, rational, or believable explanation of who carved them? When? Why? And, most importantly, how did they do it?

Only recently have scientists agreed on the continental shifts which have taken place over millions of years. Africa, the Americas, Asia, were once all configured radically different than today. Most research confirms that without question. However, these rocks, buried for countless centuries, depict precisely how the world looked millions of years ago. As I said, this is a hobby of mine, nothing more, but I would truly enjoy having someone explain the mystery. For reasons I do not understand, the rocks have received little attention.

First, although I have covered the globe many times (retired airline employee), I have never seen Peru. The information presented here comes from books, scant as they are, articles, and BBC productions. Also, this is purely empirical information, as I have seen no hard evidence or testimony, other than pictures of the very real and undeniable stones themselves. A great many tourists have possession of some actual stones, as the local museum is full, and the vendor sells them from carts. To appreciate the environment where the stones were found, let me briefly describe the area, for those unfamiliar with Peru.

Peru is one of the most geographically diverse countries on earth, with radical environments and weathers. It is large -- 1,285,216 square kilometers -- only slightly smaller than Alaska. The massive Andes mountains split its north/south borders, producing over 30 peaks above 6000 meters and competing with the Himalayas in elevations.

It also has the deepest canyon on earth, yet is bordered with 2000 kilometers of coastline on the Pacific Ocean. Peru has combinations of rain forests and deserts, in surprisingly close proximity.

Peru is bordered by Columbia, Ecuador, Brazil, and Bolivia, thus making it slightly dangerous for the amateur traveler. The high country is filled with drug operations and bandits. Only seasoned travelers or those in groups should venture on foot into the hills.

Ancient history is deeply engulfed in Peru. It is the home of antiquities, and pre-Columbian civilizations like the Chavin, Mochica, Chima, and the Incas. It boasts the excavations of the Lord of Sipan, the fabulous Bruning Museum of Gold in Lambayque, the Valley of the Pyramids of Tucume, and archaeological sites of Chan Chan.

Perhaps the most famous of Peru's sites are the Plains of Nazca, famous for their unexplained plateaus sculpted with landing sites (or whatever) and intricate designs which can only be visually realized from the air.

Ica is a relatively small place, some 300 kilometers from Lima. Some time ago (the exact date is unknown, but approximately 20 years) a villager claimed to have found piles and piles of rocks deep in various gorges and caves. Some were also buried slightly under the ground. The native farmer produced only bags of stones at first, but later, he produced literally thousands of the artifacts. Here, the story gets confusing.

It has never been made clear on how many stories the man told but most were false, and they changed by the day, depending on who asked the questions. The countryside was ablaze with rumors and gossip about the find and no one could get a straight story.

The man was making a sizable income (by his standards) selling the stones to tourists and the curious. The stones really are remarkably beautiful, ignoring all aspects except decoration. That alone makes them quite unusual. He became something of a celebrity. Word traveled in the archaeological world, and experts descended on Ica.

Several BBS documentaries were run and that was my first exposure, many years ago. I was fascinated by the stones, incredibly beautiful even on TV.

Enter the Peruvian government. Now, you have to understand their position, not wanting to become another Egypt, overrun with diggers and robbers. They had enough of them already. No one knows what was said to the farmer but after arrest and confinement, he admitted the hoax and that he had carved the stones himself. He was going to bilk the tourists and never realized it would get out of hand.

End of story. The BBS, not pleased with the idea of being fooled, buried the story until European newspapers learned that the highly regarded BBS had been duped. They sprayed the story all over Britain, and the world. The stones' authenticity died overnight and would have remained a hoax...

...Except for one Dr. Javier Cabrera, a highly-regarded South American who still had questions. He kept badgering the farmer about carving the stones. How did he do it? With what? Could he show the doctor? The farmer was evasive and maintained his story about bilking the tourists. After all, the Peruvian government released the man and allowed him to continue selling them from a cart. He was in heaven and why let this foolish doctor ruin a good thing?

Ironically, Dr. Cabrera became the prime customer for the stones, and the farmer apparently had an endless supply. When Cabrera had bought a few thousand, he really put the pressure to the farmer, "Just how many are there?" The farmer seemed to produce more every week. Cabrera was beginning to believe that he had fallen prey to this farmer, and the man had created a cottage industry.

Except the farmer refused to discuss exactly how he made the stones. The designs were the first overwhelming aspect to the doctor. Here were scenes of natives, adorned with robes and high crowns, similar to the Incas, performing medical procedures on patients. Several depict heart and brain transplants (I have seen several photos of these, and can attest to the descriptions).

Surely, no uneducated farmer could even begin to fathom such things? Then the sheer number of stones became apparent. The farmer finally admitted that he had sold them for some time, perhaps thousands of them, before he became famous. The doctor currently owns 11,000 stones (at latest count) and estimates the total in existence to be about 15,000.

Even if one were to accept the unlikely notions that this man understood surgery, art, carving stone, and the history of the Incas..., and dinosaurs, and flying reptiles..., and a host of other disciplines, all of which is most improbable; there is the issue of simple math for one man to carve 15,000 stones would mean:
1. he began as a teenager;
2. he carved one stone a day;
3. he continued this 7 days a week for 41 years without missing a single day.
To refute this simple logic would mean:

1. he carved more than one a day (impossible to even do one);
2: he had help and lots of it'
3: they came from someone else.
Even if one accepts the idea that he had help in the hills, other farmers or such, the pure knowledge of the scenes would deny that any group of people could possess the wide scientific knowledge to complete the accurate details.

Dr. Cabrera, by then a trusted friend of the farmer, learned that the man was released from prison once he signed the confession that he was cheating the tourists. He agreed not to pretend the stones came from the hills but that he had indeed carved them himself. It was either that or go to prison for selling government possessions (the international antiquity laws).

The story, however, died the death of all shams and no reputable investigator would be stained by falling for the same hoax. BBS had been ridiculed beyond belief, and had thoroughly and painfully apologized to their public for airing the sham.

Meanwhile, the doctor continued his research with geologists to interpret the maps on several stones showing a weird configuration of the world. Some angles and land masses looked vaguely familiar, but the majority were badly skewered into strange shapes. Geologists have confirmed that based on current computer projections, the shapes indicated on the rocks are indeed accurate for the planet earth, as it was, about 13,000,000 (million) years ago, and as seen from above!!!!

I have seen several of these photos, they are not some weird, distorted collection of vague notions, but very clear and distinct carvings showing land masses and oceans.

Now, Dr. Cabrera had a real problem. A farmer insists that he carved the stones himself and therefore, Cabrera has had no success in getting anyone to take the stones seriously. At first, the doctor was only considering the aspect that his stones dated back to the Incas, or pre-Columbian era. But now, his stones appear to be 13 million years old, not a mere few thousand. This would be pre-stone age!!!

How on earth could this man convince anyone of stature to even look at the stones, with their brief history in the press, much less consider them to predate stone-age man ???

The doctor maintains he has two enormous problems in getting anyone to take him seriously. One, there are so many stones. Like diamonds, we expect anything of value to be rare and difficult to obtain. There are thousands of the things just sitting around in Ica. Second, and this is the real issue, one would have to accept the notion that some highly-intelligent form of man occupied this planet millions of years before the first known man could even swing a club. This is simply not acceptable.

I've seen several photos of stones showing men in robes riding flying reptiles and dinosaurs, very similar to the animals and reptiles shown in the movie, "Jurassic Park." To accept this concept would invalidate every book ever written about ancient man, and everything since then.

I've searched the net looking for references. But nowhere, outside of Peru, can I find anyone with any information.

Maybe it is a hoax, but if so, it is the greatest one I've ever read about. And the magnitude? Think about it. You're some kind of a trickster on a grade scale. Okay, do you spend years of your life carving complicated pictures in rock and then scatter them in the hills? Why? Where's the profit? What's the reason? Who benefits? This farmer, selling them off a vendor's cart?

I simply don't get it. Somewhere, somehow, there is an explanation. I want to know: Who carved them? When? How? How did they acquire the knowledge? And, why did they carve them?

The Prophet Of The Space Gods

30 million books by the Swiss-born writer Erich von Däniken has been printed globally, in 35 different languages. All over the world, he has become famously controversional for his two claims, that go against all scientific dogma: One claim is that Earth in ancient times have been visited by creatures from space, and the other that these non-human guests have programmed humanity, as if we were biological computers.

Von Däniken believes that the space aliens gave our ancestors the gift of thinking and ingrained us with the desire to return to space. We will only have fulfilled the obligation, which the unknown star people in the mists of yore heaped on our forefathers together with their gift of intelligence, when we have conquered the immense distances of space and travel to other star systems. Then, we will be free.

The most fantastic thing about the Däniken phenomenon is, that he became the prophet of the space gods. There is hardly a thought or an idea in his books that haven't been seen or heard before. Whole paragraphs seem like nostalgic rendezvous with the more fantastic books of childhood.

He is not even the the first who presented these thoughts as if they were seriously considered ideas. Among others, the Russian Alexander Kazantsev, the Australian Andrew Tomas and the English Harold Wilkins, Raymond Drake, and Brinsley le Poer Trench (now Lord Clancarty) had more or less supported arguments that favored non-Terran beings had influenced the human race in its infancy.

The classical question is: How could the pyramid-built Egyptian civilization arise so abruptly, so to speak from one day to the other, without help from highly developed, technically advanced creatures from space?

"But, they didn't", whisper archaeologists. "We know, that over several thousands of years, a primitive civilization developed slowly in the Nile Valley, until the Egyptian culture reached a level where it was capable of creating the massive constructions, that even today take the breath away from the tourists."

But the protests from the archaeologists have so far drowned in the flood of words from the "astro- archaeologists", especially from the Italian Peter Kolosimo, which also predated Däniken, and bitterly has accused the more successful Swiss of stealing the material from him.

Däniken is by far the most known of the astro- archaeologists. He is also the only one becoming a multi-millionaire from it.

The reason is primarily that Däniken writes fluently, and without a shadow of a doubt. His first book was written in 1967-68, while he himself was caught up in massive personal problems. Some years earlier, he had taken a lease on the hotel "Rosenhügel" in Davos and had been entangled in some economical transactions which brought him before trial in 1969, accused of fraud.

Däniken himself claims that it was a purely bookkeeping problem, that wouldn't have been particularly serious in other countries than Switzerland, where there are strict rules for debts.

At any rate, the hotel owner in Davos ended up in Regensdorf prison in Zürich, while at the same time the money from his first book began pouring in. He spent the time writing his other book, and the money kept pouring in. Few years later, he was a millionaire.

But success is not the same as being right, and while Däniken's books sell in record numbers, the evidence against his hypotheses are piling up. People who read his books simply find him untrustworthy.

A Danish writer, Willy Wegner, has examined five randomly chosen pieces of "evidence" from Erich von Däniken's litany of claims. Däniken has in several books made a big issue out of the holy well of the Mayans, on the Yucatan peninsula in Mexico. The Cenote, where the Mayans sacrificed tools, jewelry and virgins to the Gods.

"How did this waterhole come to be? Why was it declared a holy well? Why this waterhole, where there are more of the same kind?" Däniken asks, who considers the very existence of the well a mystery.

The mundane truth is, that the well is a hole of a type quite often found in areas with chalk in the underground. These holes are also found in Denmark, where Aborresø on the island of Møn is a typical example.

And the reason the "Well of Virgins" was chosen can most likely be found in the fact that the other well in Chichen Itza, which was closest to the city, functioned as a water supply for the 15-20,000 inhabitants. Even Mayans were not likely to have found it particularly healthy to get drinking water from where you sacrificed humans and animals.

The mystery is gone for everyone except Däniken, who also describes the other well's position in very dramatic terms: "Close to 70 meters from the Mayan observatory there is an exact copy of the holy well of Chichen Izta hidden in the jungle. This hole, guarded by snakes, poisonous millipedes and pestering insects..."

Initially, you get the impression that this Cenote can be found in a "green hell", but in reality, it lies less than 70 m from the old hotel Mayaland, as well as a rock's throw from the Pan American HIghway, that goes from North to South on the American continents. Another road is literally on the edge of the cenote.

Willy Wegner has also looked at Däniken's star turn, the lid on the sarcophagus from Palenque, Mexico. The relief depicts an Indian among a lot of decorations, and Däniken immediately interprets it as a space pilot:

"You see here a humanoid creature, sitting with the torso bent forward - in a race car position. Every child today will identify his vehicle as a rocket. The pointed front end continues to strange grooved expansions that resembles sucking holes, the rocket's body becomes wider and from the tail we see flames coming out. The creature, bent forward, operates a number of indeterminable control instruments, and the heel of the left foot rests on some sort of pedal." Däniken believes the figure to be clad in a tight-fitting suit and short, checkered pants.

An American professor, Charles H. Long, provides a somewhat different interpretation:

"Lid from a secret sarcophagus from the Temple of Inscriptions. A man is presented resting on the mask of the God of Death, staring at a symbolic two-headed snake, representing life."

"This amuses me", replies Däniken.

Willy Wegner has also amused himself by comparing Däniken's descroptions of the "space pilot" in two of his books. The descriptions are very different in a number of ways: The man in "Chariots of the Gods" is described as a race driver, in "In search of ancient gods - my pictorial evidence for the impossible", as an astronaut in the commando pod.

Wegner notices that the astronaut lives up to the beauty ideals of the Mayans has had his nose artificially changed with wax or putty:

"That will be quite inexpedient for astronauts. Under the heavy gravitational forces during launch, the poor guy will have it smeared over his face, and into his eyes."

At any rate, the Palenque astronaut is easily identifiable as a Mayan chief in another way. His head is pointed, as custom was for high-ranking Mayans. They changed the head shape of children by tightening two pieces of wood to the side of the skull shortly after birth.

They also found it beautiful to be cross-eyed: They put a ball on a string in the middle of the forehead, when they got a little older, to make them cross-eyed. We can see this from other reliefs as well.

"Even though the Mayans were in reality cone-headed and cross-eyed, they did remarkably well, but we have no reason to believe that they flew around in space vehicles", says Willy Wegner.

Other experts have concluded that the "astronaut suit" really is the normal dress for high-ranking Mayans. The "commando pods" are stylized religious symbols, e.g. a crucifix figure is also found in other temples, and stylized corn leaves. Corn represented the source of life to the Mayans, and quite literally so: It was their most important source of food.


The Epic of Gilgamesh

The Epic of GilgameshThe 'Gilgamesh Epic' is generally regarded as the greatest literature prior to the O.T. Genesis 6, Epic poem centered on the heroic tales of a great king.

A sensentional find was made in the hill Kuyunjik around the turn of the century. It was a heroic epic of great exspressive power engraved on twelve clay tablets, and it belonged to the library of the Assyrian King Ashurbanipal. The epic was written in Akkadian; later a second copy was found that goes back to King Hummarabi.

It is an established fact that the original version of the Epic of Gilgamesh stems from the Sumerians, that mysterious people whose origin we do not know but who left behind the astonshing fiftenn-digit number and a very advanced astronomy. It is also clear that the main thread of the Epic of Gilgamesh runs parallel to the biblical Book of Genesis.

The first clay tablet of the Kuynjik finds relates that the victorious hero Gilgamesh built the wall of Uruk. We read that the 'god of heaven' lived in a statley home which contianed granaries, and that gaurds stood on the town walls.

We learn that Gilgamesh was a mixture of 'god' and man -two-thrids 'god', one-third man. Pligrims who came to Uruk gazed up at him in fear and trembling because they had never seen his like for beauty abd strength. In other words, the begining of the narritive contians the ideas of interbredding between "gods" and man yet again. This also is parralel to Genesis 6.

The second tablets tells us that another figure, Enkidu was created by the goddess of heaven, Aruru. Enkidu is described in great detail. His whole body was covered with hair; he wore skins, ate grass in the fields, and drank at the same watering place as the catle. He also disported himself in the tumbling waters.

When Gilgamesh, the king of the town of Uruk, heard about this unattractive hybrid creature, he suggested that he shouldbe given a lovely woman so that he would become estranged from cattle. Enkidu, innocent fellow, was taken in by the king's trick and spent sixdays and six nights with a semi-diving beauty goddes named 'Ishtar'. This little bit of royal pandering leads us to think that the idea of cross-breading between a demigod and a half-animal was not taken quite as a matter of course in this barbaric world.

The third tablet goes on to tell us about a cloud of dust which came froma great distance. The heavens roared, the earth quaked, and finally the 'sun god' came and seized Enkidu with mighty wings and claws. We read in astonishment that he lay like lead on Enkidu's body and that the wieght of his body seemed to him like the weight of a boulder.

Even if we grant the old storytellers a fertile imagination and discount the additions made by translators and copyist, the incredible thing about the account still remains: how on earth could the old chroniclers have known that the wieght of the body becomes as heavy as lead at a certian acceleration? Nowadays we known all about the forces of gravity and acceleration. when an astronaut is pressed back into his seat by a force of several G's at takeoff, it has all been calculated in advance.

But how on earth did this occur to the old chroniclers? The fifth tablet narrates how Gilgamesh and Enkidu set out to visit the adobe of the 'gods' togeather. The tower in which the goddess Irninis lived could be seen gleaming in the distance long before they reached it', I identify this as Atlantis by the detials they give. The arrows and missles which the cautions wanderrers rained on the guards rebounded harmlessly.

And as they reached the precincts of the 'gods', a voice roared at them: " turn back! no mortal comes to the holy mountian where the gods dwell; he who looks the gods in the face must die."

'Thou canst not see my face, for there shall no man see me and live." It says im Exodus.

On the seventh tablet is the first eyewitness account of a space trip, told by Enkidu. He flew for four hours held in the brazen talons of an eagle. This is how his story goes literally:

"He said to me: ' Look down at the land. What does it look like? Look at the sea. How does it seem to you?' And the land was like a mountain and the sea like a lake. And again he flew for four hours and said to me ' Look down at the land. What does it look like? Look at the sea. How does it seem to you? And the earth was like a garden and the sea like the water channel of a gardener. And he flew higher yet another four and spake ' look down at the land. What does it look like? Look at the sea. How does it seem to you? And the land looked like porridge and the sea like a water trough.''

In this case so this living hybrid man Enkidu must have seen the earth from some great height. The account is too accurate to have been the product of pure imagination. Who could have possibly said that the land looked like porridge and the sea like a water trough if some conception of the globe from above had not existed? because the earth actually does look like a jigsaw puzzle of porridge and water troughs from a great hieght.This account is too accurate to have been the product of pure imagination.Is this mere fact or imagination?

When the same tablet tells us that a door spoke like a living person, I unhesitantingly identify this strange phenomenon as a loudspeaker. And on the eighth tablet this same Enkud, who must have seen the earth from a considerable height, dies of a mysterious disease, so mysterious that Gilgamesh ask whether he may not have been smitten by the poisonous breath of the heavenly beast. But where did Gilgamesh get the idea of that the poisonous breath of the heavenly beast could cause fatal and incurable disease? The ninth tablet describes how Gilgamesh mourns for the death of his friend Enkidu and decides to undertake a long journey to the gods, because he is obsessed by the idea that he might die of the same disease as Enkidu. The narrative says that Gilgamesh came to two mountians arched the gate of the sun. At the fate of the sun he meet two giants, and after a lenthy discussion they let him pass because he was two-thrids god himself.

Finally Gilgamesh found the garden of the gods, beyond which stretche the endless seas, This could be identified as being Mu.
While Gilgamesh was on his way, the gods warned him twice: 'Gilgamesh, wither art thou hurrying? Thou shalt not find thelife that thou seekest. When the gods created man, they allotted him to death, but life they retained in thier own keeping."

Gilgamesh would not be warned to reach Utnapishtim, the father figure of men, no matter what dangers. But Utnapishtim, the father fugure of men, lived on the far side of the great sea; no road lead and no ship flew across it except the sun god's. Braving all kinds of perils Gilgamesh crossed the sea. Then floows his encounter with Utnapishtim, which is described in the eleventh tablet.

Gilgamesh found the father figure of men niether bigger nor broader that his own, and he said that they resembled each other like father and son. Then Utnapishtim tells Gilgamesh about his past, strangely enough in the first person. To our amazement we are given a detialed description of the Flood. he recounts that the "gods" warned him of the great flood to come and gave him the task of building a boat on which he was to shelter women and children, his relatives, and craftsmen of every kind. The description of the violent storm, and darkness, the rising flood, and the despair of the people he could not take with him has tremendour narrative power even today. We also hear-just as in Noah's account in the Bible- the story of the raven and the dove that were released and how finnaly, as the waters went down, the boat grounded on a mountian.

The parallel between the stories of the Flood in the Epic of Gilgamesh and the Bible is beyond doubt, and there is not a single scholar who contest it. The fascinatiing thing about this parrallelism is that we are dealing with different omens and different 'gods' in this case.

If the account of the Flood in the Bible is a secondhand one, the first-person form Utnapishtim's narrative shows that a survivor, an eyewitness, was speaking in the Epic of Gilgamesh.

It has been clearly proved that a catastrophic flood did take place in ancient East some thousands of years ago. Ancient Babylonian cuneiform texts indicate very precisely where the remains of the boat ought to be. And on the south side of Mount Ararat inverstigators did in fact find three pieces of wood which possible indicate the place where the ark grounded. Incidentlly, the chances of finding the remains of of a ship that was mainly built of wood and survived a flood more than 6,000 yeas ago are extemely remote.

Besides being a first-hand report, the Epic of Gilgamesh also contians desriptions of extraordinary things that could not have been made up by any intellegence living at the time the tablets were written , any more they could have been devised by the translators and copyist who manhandled the epic over centuries. For there are facts buried among the descrptions that must have been known to the author of the Epic of Goilgamesh---- and we may discover them if we look in th light of present day knowledge.

Perhaps asking some new questions may throw a little light on the darkness. it is possible that the Epic of Gilgamesh did not orignate in the ancient East at all, but in the Tiahuanco region? It is concievable that descendents of Gilgamesh came from South America and brought the Epic with them? An affirmative answer would atleast explain the mention of the Gate of the Sun, the crossing of the sea, and at the same time the sudden appearance of the Sumerians, for as it is well known, all the creations of Babylon, which came later, go back to the Sumerians. Undoubtedly the advanced Egyptian culture of the Phoroahs possessed libraries in which the old secrets were perserved, taught, learned and written down. As has lready been mentioned, Moses grew up at the Egyptian court and certianlly had access to the vernable library rooms.

Moses was a receptive and learned man; indeed he is supposed to have written five of his books him-self, although it is still an unsolved puzzle in what language he could have written them. If we work on the hypothesis that the Epic of Gilgamesh came to Egypt from the Sumerians by way of the Assyrians and Babylonians, and that the young Moses found it there and adapted it for his own ends, then the Sumerian story of the Flood, and not the biblizal one, would be the genuine account.